Audience Answers | Introduction to Audience Answers
Tuesday 25th February 2025
02:00 pm ~ 03:00 pm
Book your free placeWe look at who engaged in culture in a variety of methods (e.g. population surveys, analysis of ticket-buying) and in relation to a variety of types of engagement (e.g. in person, online and participatory engagement). Different types of people do different things; they also do them in different ways and different amounts. We track those levels of engagement and how they are changing (e.g. which groups’ engagement is up or down post-pandemic), through our own research, others’ research and in academic partnerships. But we also look at what is driving those levels and what that might mean for cultural organisations.
October 2024
“Has there been a recent drop in single ticket purchases?”
October 2024
Are audience numbers finally on the move…?
August 2024
Despite an overall decline in ticket sales, segments like Frontline Families and Trips & Treats have surged, while Home & Heritage and Commuterland Culturebuffs have seen significant drops, underscoring the importance of understanding audience subsegments to navigate these shifts effectively.
August 2024
It’s been a changeable few years for ticket sales in the cultural sector. What we’d initially hoped would only be a sharp ‘V’ shape in ticket sales, with a quick rebound after a one-off bad year due to the pandemic, has turned into something more complex…
July 2024
Now that the election’s over, the ballot boxes stowed away again in the basements of town halls across the country, and hundreds of new MPs have taken the train to Westminster to be sworn in, we thought it would be a bit of fun to look at the election results using Audience Spectrum.
July 2024
Gain a deeper understanding of the 2024 election with our Audience Spectrum Analysis, where we break down the profile of each party's seats compared to the national average, revealing key trends and the demographics each party represents.
June 2024
Heritage is broadly popular with the general population, with high proportions saying that it’s an interest of theirs.
March 2024
Arts Council England have published a report into the opera and music theatre sector.
January 2024
Arts and cultural events continue to increase booker numbers post pandemic, but the cost-of-living crisis that followed is affecting some artforms more than others. Panto and Christmas shows are among those that are particularly affected.
January 2024
This report uses data from wave 9 of the Cultural Participation Monitor (CPM) to understand the extent audiences engage with live versus digital events, finding that:
November 2023
Social and environmental issues are at the forefront of much news about the cultural sector recently: cancellation of fossil fuel sponsorships; repatriation of museum artefacts and decolonialisation of collections and displays; demonstrations of support for Black Lives Matter; the emphasis on environmental action in Let’s Create and National Portfolio funding, to name but a few topics. But where is the voice of the audience in these discussions?
July 2023
While attending 'live' cultural events in person is everyone's strong preference, when it comes to alternative modes of engagement, watching from home, either streaming online or on TV, appeals more to all groups than doing so at the cinema, though both options are more popular among younger audiences.
March 2023
1/3 still report attending arts and culture less than pre-pandemic, though under 35-year-olds are returning more than others, and are more likely to identify as the 'initiators' of social cultural activity with friends and family.
March 2023
Half of those who previously did so intend to donate less over the next couple of years, but most who have cancelled memberships do intend to restart them, and c.80% of lapsed volunteers expect to return to their activities.
October 2022
Our takeaways on where non-Welsh audiences are from and what impact the pandemic has had on cross-border culture visits.
September 2022
Fears surrounding Covid-19 are softening, with half feeling 'back to normal' and fewer than 1 in 10 people expressing strong concern about catching the virus themselves, although over half still worry about vulnerable friends and family, while support for certain safety precautions remains high.
September 2022
While willingness to attend continues to trend upwards however, people do anticipate that their future in-person participation will be less frequent than pre-pandemic, though outdoor events are an exception, and they also intend to engage with cultural activities more locally (and inexpensively) than before.
September 2022
Recent arts, culture and heritage attendance has risen to an impressive 90% among respondents, with film and museums/heritage proving especially popular, particularly with families, while online arts activities continue to attract a younger and more ethnically diverse audience.
August 2022
Despite calls for inclusive reopening from a range of advocates and advocacy groups, disabled people are at risk of being ignored within the wider desire to return to normal.
July 2022
For the first time in 2 years, arts, culture and heritage venues were able to welcome back audiences to a 'business as usual' Spring and Summer programme, so we've considered how their return has impacted sales and income, compared with pre-pandemic levels.
July 2022
Booker and population data through the lens of the new Audience Spectrum subsegments
April 2022
Overall there is much increased willingness to attend events and optimism about future attendance, though some groups continue to be especially concerned, with disabled people less likely to be willing or able to attend.
April 2022
Safety measures are rated as less important than they have been previously, but desire for them continues, with half of audiences still saying that they would not attend if precautions were removed all together.
March 2022
Multiple lockdowns have meant working from home has become the norm and unlike some of their counterparts across the border, Welsh Government rulings have kept doors shut for many organisations.
March 2022
During Wave 5 of the Cultural Participation Monitor, we asked respondents based in Wales four additional questions about Welsh Language.
November 2021
In-person engagement doubled in 2021 compared to 2020, especially for film, heritage sites, and museums, while online engagement is starting to trend down.
November 2021
Willingness to attend might be going up slightly, but still a third are not comfortable returning in-person (even before Omicron).
September 2021
Willingness to attend has not increased since June and people remain worried about others' behaviour, though they don't appear to think there is much more organisations themselves should be doing to make them feel safe.
September 2021
Attenders still feel strongly about Covid safety measures in place at cultural venues, and they would like to see them continue. Ventilation and crowd management are the safety measures rated most important.
July 2021
Audiences are proving slow to want to return, with a continuing sense of risk to health and only slow rises in engagement.
June 2021
The profiles, behaviours and motivations of audiences who attend arts, culture and heritage in the peak summer months are distinct and strikingly aligned with how people engage over the festive period.
April 2021
Looking at Cultural Participation Monitor data to see who is more negatively impacted and how that relates to, or exacerbates, previously existing and ongoing inequalities in audiences.
February 2021
This report summarises results for Wales from the first wave of The Audience Agency’s COVID-19 Monitor.
June 2020
Understand the impact of lockdown on the behaviours of different Audience Spectrum groups.
January 2020
This report draws together what we know of Live Literature Events from the many hundreds of organisations that contribute booking and survey data to Audience Answers.
August 2019
Visual artists and curators create spaces where communities can face challenging ideas constructively.
November 2018
This report demonstrates the breadth of people museums are able to engage through their diverse appeal, collections, learning activities and specialist knowledge.
July 2018
Outdoor Arts audiences are distinctive. Unlike audiences for many other artforms and cultural activities, they tend to be representative of the demographics of the public in their area.
March 2017
Five things you might not know about classical music audiences, discovered through Audience Answers Data.
July 2015
While the majority of arts audiences are venue loyal, new research suggests donors behave differently.
Cultural participation takes in a range of different activities and ways of engaging: things people do creatively themselves and others where people go and experience others' creative efforts. (Of course, watching and listening and reflecting can also be creative acts). We take a broad view on what is included within creative and cultural activity, recognising that most people take part in cultural activity of one sort or another.
Tuesday 25th February 2025
02:00 pm ~ 03:00 pm
Book your free placeWe’d love to hear what you think of Audience Answers and your suggestions as to how we can improve it.
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